Hip Hop and copyright #music
"We were forced to start using different organic instruments, but you can't really get the right kind of compression that way. A guitar sampled off a record is going to hit differently than a guitar sampled in the studio. The guitar that's sampled off a record is going to have all the compression that they put on the recording, the equalization. It's going to hit the tape harder. It's going to slap at you. Something that's organic is almost going to have a powder effect. It hits more like a pillow than a piece of wood. So those things change your mood, the feeling you can get off of a record. If you notice that by the early 1990s, the sound has gotten a lot softer."
- How Copyright Law Changed Hip Hop - An interview with Public Enemy's Chuck D and Hank Shocklee.
Add comment
To avoid spam many websites make you fill out a CAPTCHA, or log in via an account at a corporation such as Twitter, Facebook, Google or even Microsoft GitHub.
I have chosen to use a more old school method of spam prevention.
To post a comment here, you need to:
- Configure a newsreaderยน to connect to the server
- Open the newsgroup called
ยน Such as Thunderbird, Pan, slrn, tin or Gnus (part of Emacs).koldfront.dkon port1119using nntps (nntp over TLS).lantern.koldfrontand post a follow up to the article.Or, you can fill in this form: